Philadelphia Monthly Arts Round-Up: March 2023

BY ARTA BARZANJI

Please refer to the official websites for events to ensure that you have the most up-to-date information about ticketing, reservations, delays, re-scheduling, cancellations, and other guest policies for venues, including relevant COVID-19 requirements.

One of the signs of a healthy, burgeoning film culture is a certain balance of programming between films from different eras, nations, traditions, and models of creations, as well as a coexistence of new releases, familiar classics, and more obscure discoveries (to appease new and experienced cinephiles alike). And by this metric, the Philadelphia film scene with its varied programming seems to be flourishing. 

Highlights of this month include the first solo exhibit of artist Terence Nance at the ICA, two starkly different visions of slow, contemplative cinema in Sátántangó and Memoria, as well as a pair of the most highly (and beautifully) stylized film noirs in The Night of the Hunter and Touch of Evil.

Thursday, March 9, 2023 at 7:15 PM

The Night of the Hunter

Still from The Night of the Hunter. Courtesy of Filmgrab.

The adjective “singular” is more often than not used as an exaggeration when writing about cinema, as not many films, at least in Hollywood history, can be described as being genuinely unique. A film that could be accurately described that way, however, is actor Charles Laughton’s sole directorial effort, The Night of the Hunter. To this day, I find it baffling that a Shakespearean actor, who would go on to play many secondary characters in Hollywood films in the 40s and 50s, directed one of the most stunningly beautiful and strikingly photographed films of classical Hollywood in which the stark shadows are as ominously beautiful as Robert Mitchum’s portrayal of the murderous preacher whose sinister plotting drives forward the narrative. 

Cost: $13.50 General Admission, $8 BMFI Members, $11 Seniors/Students, $9 Children

Bryn Mawr Film Institute  — 824 W. Lancaster Avenue, Bryn Mawr, PA

RSVP

March 10 – July 19, 2023

Terence Nance: Swarm

Graphic for Terence Nance: Swarm. Courtesy of ICA.

Anyone with even a fleeting interest in contemporary American art has likely heard about Terence Nance, whose work tends to defy and complicate classification. The first solo exhibition of the artist’s work, curated by BlackStar Film Festival founder Maori Karmael Holmes and co-organized by the Institute of Contemporary Art, will let you delve into Nance’s interdisciplinary practice which includes his experiments in film, video, television, sound, and performance over the past ten years. Additional talks and screenings will complement the exhibit. 

Cost: Free

Institute of Contemporary Art — 118 South 36th Street Philadelphia, PA 19104

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Saturday, March 11, 2023 at 12 PM

Sátántangó

Still from Sátántangó. Courtesy of Philadelphia Film Society

Hungarian maverick Béla Tarr’s magnum opus is often spoken about in terms of its exceptional length (over seven hours long, which rises to more than eight if you take into account the intermissions). While I imagine watching the film at home could amount to a torturous experience for some, with the sheer amount of inescapable distractions that surround us all, watching Tarr’s patiently-paced mediation on the lives of destitute Hungarian villagers in the collective solitude of a cinema is an oddly transfixing sensory and bodily experience which left an unforgettable mark on me.

Cost: $14 General Admission, $13 Students, $12 Seniors, $10 Children (12 and under)

Philadelphia Film Center  — 1412 Chestnut St Philadelphia, PA 19102

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Wednesday, March 15, 2023 at 7:30 PM

Terence Nance Spotlight

Still from Jimi Could Have Fallen from the Sky. Courtesy of ICA.

In addition to the Terence Nance exhibition, those interested can also see his film work screened in a cinema over two nights. The first of these nights, audiences have the opportunity to witness Nance’s unique vision in the following six short films: Blank Canvas (2021), Guisado on Sunset (2020), Jimi Could Have Fallen from the Sky (2017), Swimming in Your Skin Again (2014), Univitellin (2016), Vortex (2022).

Cost: $10 General Admission

Bruce Montgomery Theater — 3680 Walnut St, Philadelphia, PA 19104

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Thursday, March 16, 2023 at 7:30 PM

An Oversimplification of Her Beauty

Still from An Oversimplification of Her Beauty. Courtesy of ICA.

Terence Nance’s debut feature film begins with Nance’s artist character being stood up by a woman, for whom his emotions alternate between romantic and platonic. Utilizing a mixture of animation and live-action, the film explores questions around the importance of fleeting emotions in our lives, and how our experiences shape who we are. 

Cost: $10 General Admission

Bruce Montgomery Theater — 3680 Walnut St, Philadelphia, PA 19104

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Saturday, March 18, 2023 at 6 PM

One Sings, The Other Doesn’t

Still from One Sings, The Other Doesn’t. Courtesy of Philadelphia Film Society.

Ten days after International Women’s Day, you can see Agnès Varda’s One Sings, The Other Doesn’t, her film most clearly influenced by the feminist movements of the 1960s and 70s. The film follows the friendship of a struggling mother and an aspiring singer who form an unlikely but enduring bond on their eventful and difficult journey of discovery. 

Cost: $14 General Admission, $13 Students, $12 Seniors, $10 Children (12 and under)

Philadelphia Film Center  — 1412 Chestnut St Philadelphia, PA 19102

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Wednesday, March 22, 2023 at 7 PM

Memoria

Still from Memoria. Courtesy of TIFF.

If you enjoy films with a more deliberate pace and meditative rhythm, you’re in luck: in addition to the aforementioned Sátántangó, this March Philadelphians also have the chance to experience Apichatpong Weerasethakul’s last outing on the big screen. The Thai director’s first fully foreign production, Memoria is an auditory feast, in which the sound design is not only a formal element but also a thematic one. Designed around an aural mystery, the film follows Tilda Swinton’s protagonist as she heads into the rainforests of Columbia in search of answers about an identifiable sound that’s been haunting her.

Cost: $13.50 General Admission, $8 BMFI Members, $11 Seniors/Students, $9 Children

Bryn Mawr Film Institute  — 824 W. Lancaster Avenue, Bryn Mawr, PA

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Friday, March 24, 2023 at 7 PM

Terra Femme

Still from Terra Femme. Courtesy of IDFA.

Courtney Stephens’s moving essayistic mediation on the concepts of traveling and the archive is composed of amateur film travelogues recorded by women between the 1920s-50s. Instead of the lone male traveler we’re so used to seeing in movies, the film brings to the fore female travelers who not only capture the world but also themselves. In this way, the film also brings up questions about the place of women in visual archives, as both subjects and objects. 

Cost: $10 General Admission, $8 Students/Seniors, Free for Members/UArts Students/UArts Faculty & Staff

Lightbox Film Center — 401 South Broad Street, Philadelphia, PA 19147

RSVP

Monday, March 27, 2023 at 7 PM

Touch of Evil

Still from Touch of Evil. Courtesy of Mubi.

Another heavily stylized and somewhat unconventional Film Noir from the 50s, if Laughton’s Night of the Hunter pushed the limits of high contrast cinematography, Orson Welles’ Touch of Evil does the same for complex and intricate long takes, as exemplified by the film’s renowned opening sequence, which also sets in motion the murder mystery plot. With a stellar cast boasting the likes of Charlton Heston, Janet Leigh, Welles himself (in one of his most memorable roles as corrupt cop Hank Quinlan), and last but not least, the legendary Marlene Dietrich (who has a small but memorable appearance). 

Cost: $13.50 General Admission, $8 BMFI Members, $11 Seniors/Students, $9 Children

Bryn Mawr Film Institute  — 824 W. Lancaster Avenue, Bryn Mawr, PA

RSVP

Wednesday, March 29, 2023 at 7 PM

The Gold Rush

Still from The Gold Rush. Courtesy of Letterboxd.

While not quite the pinnacle of Chaplin’s work , The Gold Rush might just be the Tramp’s most atmospheric and nostalgic film, as the studio built snow-filled sets of Klondike, Yukon captures the imagination like few studio sets ever have. A true marvel of early special effects, trick photography, and craftsmanship, The Gold Rush also features some of Chaplin’s most iconic scenes (the pantomime “fork dance”). The late great critic Manny Farber wrote “on this mastery of pantomime, and on his exact knowledge of what he wants and of what is humanly moving, he builds a character, then fits it into a situation, and it comes out all of a piece.” And it’s precisely in that rare combination of immaculate technique (in performance and cinematic language), deep human understanding, meticulous world-building, and comedic genius which lies the everlasting appeal of Charlie Chaplin. 

Cost: $10 General Admission, $8 Students/Seniors, Free for Members/UArts Students/UArts Faculty & Staff

Lightbox Film Center — 401 South Broad Street, Philadelphia, PA 19147

RSVP

MORE EVENTS:

Friday, March 10, 2023 at 7 PM

The Wounded Man (L’homme blessé)

Cost: $10 General Admission, $8 Students/Seniors, Free for Members/UArts Students/UArts Faculty & Staff

Lightbox Film Center — 401 South Broad Street, Philadelphia, PA 19147

Saturday, March 11, 2023 at 7 PM

Love and Anarchy

Cost: $14 General Admission, $13 Student, $12 Senior, $10 Children (12 and under)

PFS Bourse  — 400 Ranstead St, Philadelphia, PA 19106

Monday, March 13, 2023 at 7 PM

Sweet Smell of Success

Cost: $13.50 General Admission, $8 BMFI Members, $11 Seniors/Students, $9 Children

Bryn Mawr Film Institute  — 824 W. Lancaster Avenue, Bryn Mawr, PA

Tuesday, March 14, 2023 at 7:15 PM

Philadelphia

Cost: $13.50 General Admission, $8 BMFI Members, $11 Seniors/Students, $9 Children

Bryn Mawr Film Institute  — 824 W. Lancaster Avenue, Bryn Mawr, PA

Thursday, March 16, 2023 at 7 PM

Sansho The Bailiff 

Cost: $14 General Admission, $13 Students, $12 Seniors, $10 Children (12 and under)

Philadelphia Film Center  — 1412 Chestnut St Philadelphia, PA 19102

Friday, March 17, 2023 at 7 PM

The Hidden

Cost: $14 General Admission, $13 Students, $12 Seniors, $10 Children (12 and under)

Philadelphia Film Center  — 1412 Chestnut St Philadelphia, PA 19102

Saturday, March 18, 2023 at 8:30 PM

Speed Racer

Cost: $14 General Admission, $13 Students, $12 Seniors, $10 Children (12 and under)

Philadelphia Film Center  — 1412 Chestnut St Philadelphia, PA 19102

Sunday, March 19, 2023 at 4 PM

Dark Waters (35mm)

Cost: $12 General Admission, $8 Members, $10 Seniors/Students/Military

The Colonial Theatre  — 227 Bridge St, Phoenixville, PA 19460

Sunday, March 19, 2023 at 5:30 PM

Imitation of Life

Cost: $14 General Admission, $13 Students, $12 Seniors, $10 Children (12 and under)

Philadelphia Film Center  — 1412 Chestnut St Philadelphia, PA 19102

Saturday, March 25, 2023 at 11 AM

Kiki’s Delivery Service 

Cost: $13.50 General Admission, $8 BMFI Members, $11 Seniors/Students, $9 Children

Bryn Mawr Film Institute  — 824 W. Lancaster Avenue, Bryn Mawr, PA

Sunday, March 26, 2023 at 3 PM

Spirited Away

Cost: $14 General Admission, $13 Students, $12 Seniors, $10 Children (12 and under)

Philadelphia Film Center  — 1412 Chestnut St Philadelphia, PA 19102

Thursday, March 30, 2023 at 7:15 PM

One Flew Over the Cuckoo’s Nest 

Cost: $13.50 General Admission, $8 BMFI Members, $11 Seniors/Students, $9 Children

Bryn Mawr Film Institute  — 824 W. Lancaster Avenue, Bryn Mawr, PA

Friday, March 31, 2023 at 6 PM

Throwback Quizzo & Movie: Southland Tales

Cost: $14 General Admission, $13 Students, $12 Seniors, $10 Children (12 and under)

Philadelphia Film Center  — 1412 Chestnut St Philadelphia, PA 19102

Friday, March 31, 2023 at 7 PM

Film, the Living Record of our Memory

Cost: $10 General Admission, $8 Students/Seniors, Free for Members/UArts Students/UArts Faculty & Staff

Lightbox Film Center  — 401 South Broad Street, Philadelphia, PA 19147

*Featured Image: Still from Terence Nance’s Swimming in Your Skin Again. Courtesy of ICA.

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Arta Barzanji is an Iranian cinephile, writer, filmmaker, and a current MFA candidate in Film and Media Arts at Temple University. His work, encompassing experimental, narrative, and documentary modes, deals directly with the cinema itself, exploring the relationship between the viewer and the screen while engaging with the works of filmmakers as diverse as Stan Brakhage, Orson Welles, Kamran Shirdel, and Malcolm Le Grice. Arta was a 2022 participant of the Young Critics Workshop, and his critical writings and translations have appeared both in Farsi and English.

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